Indian film heroes tackle land rights, champion underdog | Land Portal
Rina Chandran
Language of the news reported: 

MUMBAI, Jan 26 (Thomson Reuters Foundation) - A villainous company. Corrupt government officials. A heroic defender of farmers emerging victorious from a fight over land.

This is far from a typical storyline for Indian film, which more often promises movie-goers a diet of syrupy romances, family dramas or all-action flicks.

But a slew of regional-language movies has made unlikely heroes of those who defend Indians' land rights, showing how the fight over land now influences the country's popular culture, which generally shies away from contentious issues.

"At this moment in time, the bad guy in the movies is the one taking land from the poor farmer or villager," said S.V. Srinivas, a professor of cultural studies at the Azim Premji University.

While land rights have featured in small-budget, regional films in the past, at least half a dozen recent, big-budget movies from the southern states of Tamil Nadu, Andhra Pradesh and Telangana have been about land. India's voracious movie-going public has also seen popular actors starring in the top roles, with the underdog emerging on top.

"Seeing the hero beat up the land grabber or put him in jail is the winning formula now," Srinivas told the Thomson Reuters Foundation.

Conflicts related to property have risen as demand for land for industrial projects has grown to boost development for India's 1.3 billion citizens.

Legislation passed in 2013 was meant to protect the rights of farmers, ensuring consensus in any land transaction, rehabilitation for those displaced, and compensation up to four times the market value.

But several states, including Andhra Pradesh and Telangana, have since introduced laws to make acquisitions easier.

Earlier this month, a Telugu language film 'Khaidi No. 150', starring popular actor Chiranjeevi, took more than 1 billion rupees ($15 million) on its first weekend, the definition of a blockbuster in India.

The film is a remake of the Tamil film Kaththi (Knife), about farmers committing suicide after their land is acquired for a factory. It was one of the biggest Tamil films of 2014.

Another Tamil film, 'Rajapattai', featuring popular actor Vikram, told the tale of an old man forced to give up his home.

The 2015 Odisha film 'Adibhumi' (Ancestral Land), about a family forced out of their village for a steel plant, is loosely based on the unrest caused by South Korean firm POSCO's plan to set up a steel plant in the eastern state in 2005.

Violent protests ensued as indigenous communities resisted the takeover of forest land for what was then India's biggest foreign investment deal of about $12 billion.

"I am no activist, but I was deeply affected and wanted to show how our land acquisition policy is flawed, and how it affects poor, marginalised people most," said Satyabrata Dwibedy, the director.

Earlier this month, a popular classical singer starred in a music video appealing for the protection of common lands.

Other Telugu movies with land as a theme include last year's blockbuster 'Sarrainodu' (Right Man) and 'Racha', about land taken for mining.

Copyright © Source (mentioned above). All rights reserved. The Land Portal distributes materials without the copyright owner’s permission based on the “fair use” doctrine of copyright, meaning that we post news articles for non-commercial, informative purposes. If you are the owner of the article or report and would like it to be removed, please contact us at and we will remove the posting immediately.

Various news items related to land governance are posted on the Land Portal every day by the Land Portal users, from various sources, such as news organizations and other institutions and individuals, representing a diversity of positions on every topic. The copyright lies with the source of the article; the Land Portal Foundation does not have the legal right to edit or correct the article, nor does the Foundation endorse its content. To make corrections or ask for permission to republish or other authorized use of this material, please contact the copyright holder.

Share this page